Though they began life as a ramshackle bunch, knocking out Buffalo Springfield knockoffs, The Graceful Slicks
have grown with every successive demo into real musical auteurs, honing
the cooler-than-cool essence of 1960s counter culture and taking the
energy of garage rock and ethereal space jams to create some of the most
enjoyable music currently coming out of Oxford. Although not always the
most original of songwriters (they are, after all, shamelessly
retrospective), there is considerable skill in making each new release
feel like a lost relic from a time long gone, and this lends the band a
real sense of authenticity.
And on 'Aztec Bird
Song' the band manage to make a 1960s space jam sound amazingly
contemporary. On the other hand, 'Venus Flytrap' is pure, unadulterated Nuggets: Original Artyfacts
material – if you listen close enough you can probably hear an electric
jug solo buried somewhere in the mix. But it’s opener 'Lucky Pierre',
with its hazy lead guitar, busy egg-shaker rhythm and slacker-anthem
chorus that is the true star here, bringing to mind The Beta Band.
You’ve got to admire the Graceful Slicks’
dedication to the sixties aesthetic, never allowing themselves to
plough into Dad rock territory but instead remaining inspired by the
more obscure, fringe artists who continue to be a positive influence on
indie music today. Like the Beta Band, perhaps it’s time for the Slicks to compile these demos into a cohesive album – the 5 Demos, perhaps?
[Originally published in Nightshift magazine, issue 213, April 2013]
http://nightshift.oxfordmusic.net/2013/apr.pdf
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