Elliot Fresh is one of the most affable young rappers in Oxford and his Illgotit Records label is blessed with skilled beatmakers who draw from the same soulful, jazz-inspired well as 9th Wonder, Hi-Tek, DJ Premier and the whole Native Tongues crew. This gives Now, Elliot’s three-years-in-the-making debut album, a cohesive and pleasantly golden-era feel akin to Mos Def’s Black on Both Sides.
However, your enjoyment of the album may be dependant on the balancing act between Elliot’s rudeboy-posturing and intelligent rapper personas; songs on the album varyingly focus on immature, almost scatological humour, sexual exploration, social commentary and philosophical/theoretical concepts. There are lyrical gems to be found amidst some of the album’s more vulgar tirades while some of the more awkward-sounding clangers feature in the more positive passages. ‘Respect the Architects’ is a playful, if formulaic, homage to the founding fathers of hip-hop from Kool Herc to Rakim and closing track ‘Oxford’ pays respects to the local hip-hop scene. Elsewhere ‘Born Into the Galaxy’ is a sensitive and thoughtful ode to Mother Earth while in ‘The Jazz Mag Shuffle’ Elliot aims for the Pharcyde’s self-loving sense of humour but comes across more like a dirty old man leering at the top-shelf magazines.
A game of two halves then – sometimes there’s no accounting for taste and whenever the subject matter or a forgettable guest verse threatens to ruin a track the production manages to carry our interest into the next song. Overall though, it has to be said that as a whole package Now is a strong offering from one of the better rappers in town.
[Originally published in Nightshift magazine, issue 205]
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